May 12 - May 12
March 9 - March 9
VARUJAN VOSGANIAN: "The Book of Whisper
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BRANCUSI at the Guggenheim Museum
February 22 - February 24
Nomadaptation by Daniel Djamo
February 22 - February 23
BRANCUSI: A Lesson on the Infinite
January 5 - January 5
Romanian Literature as World Literature
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Romanian Christmas Traditions at RCINY
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BRANCUSI at the Guggenheim Museum

BRANCUSI at the Guggenheim Museum

March 17, 2017 - February 2018

Solomon R. Guggenheim Museum
1071 Fifth Avenue, New York, NY 10128-0173
The Romanian Cultural Institute in New York (RCINY) proudly supports the upcoming BRANCUSI presentation at the Solomon R. Guggenheim Museum in New York, from March 17, 2017 to February 2018.

The new installation will present eight of Brancusi's groundbreaking wood and stone sculptures:
The Sorceress / La sorcière (1916-24);
King of Kings / Le roi des rois (ca. 1938);
Muse / La muse (1912);
Adam and Eve / Adam et Eve (1921);
The Miracle (Seal [I]) / Le Miracle (1930-32);
Flying Turtle (1940-45);
Watchdog / Chien de garde (1916), and
Oak base (1920).

The exhibition also includes a number of photographs of Brancusi's studio in Paris and works in situ, taken by Man Ray, Edward Steichen, Wayne F. Miller, and the artist himself.

Guggenheim Collection: Brancusi

In gallery space devoted to the permanent collection, the Guggenheim is showcasing its rich holdings of the work of Constantin Brancusi (b. February 19, 1876, Hobita-Pestisani, Gorj County, Romania – d. March 16, 1957, Paris, France).

"In the early decades of the twentieth century, Brancusi produced an innovative body of work that altered the trajectory of modern sculpture. During this period, Brancusi lived and worked in Paris, then a thriving artistic center where many modernist tenets were being developed and debated. He became an integral part of these conversations both through his relationships with other artists, such as Marcel Duchamp, Fernand Léger, Amedeo Modigliani, and Henri Rousseau, and through his own pioneering work. His aspiration to express the essence of his subjects through simplified forms and his engagement with non–Western European artistic traditions led to new stylistic approaches. In addition, his mode of presentation, which equally emphasized sculpture and base and in which works were shown in direct relation to one another, instead of as independent entities, introduced new ways of thinking about the nature of the art object.

The Solomon R. Guggenheim Museum began collecting Brancusi’s work in-depth in the mid-1950s under the leadership of its second director, James Johnson Sweeney. When Sweeney began his tenure at the museum, the collection was focused on non-objective painting. Sweeney significantly expanded the scope of the institution’s holdings, bringing in other styles and mediums, particularly sculpture. The Guggenheim’s commitment to Brancusi during these years extended beyond its collecting priorities, and in 1955 the museum held the first major exhibition of the artist’s work". (Guggenheim Museum website)

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